EditorialWendy Nanan’s “Idyllic Marriage,” 1990, an altar piece of papier-mache and oil paint, which depicts Krishna marrying the Virgin Mary and reflects the mixing of religious traditions, at the Ford Foundation Gallery in New York, May 31, 2022. (An Rong Xu/The New York Times)
EditorialLauren Windsor in her studio in Washington with a papier-maché version of Donald J. Trump that was made by an artist for the progressive group American Family Voices to use in protests. (Melissa Lyttle/The New York Times)