EditorialA rocking horse prop used in Roberto Benigni’s 2002 “Pinocchio,” at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rocking horse prop used in Roberto Benigni’s 2002 “Pinocchio,” at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rocking horse prop used in Roberto Benigni’s 2002 “Pinocchio,” at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rocking horse prop used in Roberto Benigni’s 2002 “Pinocchio,” at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialA rocking horse prop used in Roberto Benigni’s 2002 “Pinocchio,” at Cinecittà Studios in Rome, May 19, 2023. (Gianni Cipriano/The New York Times)
EditorialGuillermo del Toro, center, who won best animated feature for his “Pinocchio,” at the Governor's Ball in Los Angeles, Calif., Sunday, March 12, 2023. (Sinna Nasseri/The New York Times)
EditorialGuillermo del Toro accepts the award for best animated feature film for “Guillermo del Toro's Pinocchio,” at the 95th Academy Awards at the Dolby Theatre in Los Angeles, March 12, 2023. (Todd Heisler/The New York Times)
EditorialBugs Bunny, Daffy Duck and Flintstones voice actor Mel Blanc memorabilia to go under the hammer, including studio microphone and signed animations
EditorialJackie Hoffman, left, and Arnie Burton, frolick in “Fairycakes” at the Greenwich House Theater in Manhattan on Oct. 12, 2021. (Sara Krulwich/The New York Times)
EditorialThe Italian director Matteo Garrone, holding the Pinocchio storyboard he drew when he was a child, in Rome, Dec. 21, 2020. (Gianni Cipriano/The New York Times)