EditorialGabrielle Sprauve, left, and Isabel Robles rehearse Michelle Manzanales’s “Sor Juana” for Ballet Hispánico in New York, May 19, 2023. (Andrea Mohin/The New York Times)
EditorialGabrielle Sprauve, left, and Isabel Robles rehearse Michelle Manzanales’s “Sor Juana” for Ballet Hispánico in New York, May 19, 2023. (Andrea Mohin/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialDereck Alejandro Morín, a veterinary student, waits for a donkey to wake from anesthesia at an RVETS clinic in the community of Do?a Juana in the state of Guanajuato, Mexico, on April 10, 2023. (Victor J. Blue/The New York Times)
EditorialJuana Alvarez, the mother of Ana Alvarez, with her granddaughters, Emily, left, and Madeline, in Hyattsville, Md., Dec. 4, 2022. (Shuran Huang/The New York Times)
EditorialJuana Martinez gets a nasal swab during testing for COVID-19 at Clinica Monse?or Oscar A. Romero, a medical clinic in Los Angeles on Tuesday, Jan. 4, 2022. (Allison Zaucha/The New York Times)
EditorialClothing that was found with an unidentified body in Mexico, after it was laid out by forensics lab workers in Chihuahua, Mexico, June 25, 2021. (Fred Ramos/The New York Times)
EditorialClothing that was found with an unidentified body in Mexico, after it was laid out by forensics lab workers in Chihuahua, Mexico, June 25, 2021. (Fred Ramos/The New York Times)
EditorialClothing that was found with an unidentified body in Mexico, after it was laid out by forensics lab workers in Chihuahua, Mexico, June 25, 2021. (Fred Ramos/The New York Times)
EditorialJuana Peragón, a feminist activist in Jaén, Spain, center, poses with members of the city’s feminist movement on Aug. 17, 2021. (Ana Maria Arevalo Gosen/The New York Times)
EditorialJuana Peragón, a feminist activist in Jaén, Spain, center, poses with members of the city’s feminist movement on Aug. 17, 2021. (Ana Maria Arevalo Gosen/The New York Times)
EditorialElisa Toro Franky, a dancer, left, and Juana Luna, a singer and composer, perform during the New York Philharmonic Bandwagon 2 concert at Domino Park in Brooklyn on Friday, May 7, 2021. (Jeenah Moon/The New York Times)
EditorialA detail of Zilia Sánchez’s “Juana de Arco” (“Joan of Arc”), from 1987, in her retrospective “Soy Isla (I Am an Island)” at El Museo del Barrio in New York, Feb. 1, 2020. (Ike Edeani/The New York Times)