EditorialUne vie reconstruite au sein d'un camp de deplaces, 10 ans apres l'horreur/A life rebuilt in a displaced persons camp, 10 years after the horror.
EditorialAriela Aspen, a country-pop singer and songwriter, performs during a songwriters’ night at the Commodore Grille in Nashville, Tenn., July 10, 2022. (William DeShazer/The New York Times)
EditorialA buckled window grille, damaged in the Great Fire of Rome in A.D. 64, in the new exhibit “Nero: The Man Behind the Myth,” at the British Museum in London, May 25, 2021. (Tom Jamieson/The New York Times)
EditorialAn installation view, featuring, clockwise from center left: Antoni Gaudí’s “Grille from the Casa Milá (La Pedrera), Barcelona, Spain” (1906-1912); Anni Albers’s “Wall Hanging” (1927); Frank Lloyd Wright’s “Clerestory Windows from the Avery Coonley Playhouse, Riverside, Ill.” (1912); window from Wright’s Darwin D. Martin House, Buffalo, N.Y. (1903-1906); and Louis Sullivan’s “Elevator Grille from the Chicago Stock Exchange, Chicago, Ill.” (1893), at the Museum of Modern Art in New York, Nov. 9, 2020. (Jeenah Moon/The New York Times)
EditorialPedestrians walk past the Capital Grille, a steakhouse in the Time & Life Building in Midtown Manhattan, July 21, 2020. (Amr Alfiky/The New York Times)
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