EditorialStrolling outside the Museu do Ipiranga, a history museum that recently reopened after years of renovation, in S?o Paulo, Nov. 6, 2022. (Victor Moriyama/The New York Times)
EditorialStrolling outside the Museu do Ipiranga, a history museum that recently reopened after years of renovation, in S?o Paulo, Nov. 6, 2022. (Victor Moriyama/The New York Times)
EditorialFrom left: Fang Du, Cindy Cheung and Ruibo Qian in the Manhattan Theater Club production of the play “The Golden Shield,” April 28, 2022. (Sara Krulwich/The New York Times)
EditorialSome of the genres in the original Kim’s Video collection, which now are part of the new Kim’s Video & Music space at the Alamo Drafthouse in New York, March 22, 2022. (Adam Powell/The New York Times)
EditorialSome of the genres in the original Kim’s Video collection, which now are part of the new Kim’s Video & Music space at the Alamo Drafthouse in New York, March 22, 2022. (Adam Powell/The New York Times)
EditorialThe conceptual artist Dan Graham’s “Hedge Two-Way Mirror Walkabout,” installed on the Metropolitan Museum of Art’s roof, in New York, April 23, 2014. (Fred R. Conrad/The New York Times)
EditorialPalestinian artist Dima Karaz 19, performs a contemporary dance on the roof of her house, Gaza city, Gaza Strip, Palestinian Territory - 06 Jan 2022
EditorialShanta Thake, Lincoln Center’s new chief artistic officer, outside Lincoln Center in New York, July 30, 2021. (Caroline Tompkins/The New York Times)
EditorialBreweries and beverage companies have invented several new genres of summer drinks, both nonalcoholic and spiked, to keep up with changing tastes. (Adam Friedlander/The New York Times)
EditorialLee Breuer, the director and writer of “Peter and Wendy,” with two of the puppets featured in the production, at the New Victory Theater in New York on Jan. 31, 1997. (Suzanne DeChillo/The New York Times)
EditorialThe singer and producer Dorian Electra, who in October released an experimental album, “My Agenda,” in Los Angeles, on Nov. 11, 2020. (Kevin Amato/The New York Times)
EditorialJonathan Snipes, Daveed Diggs and William Hutson of Clipping, an art-rap trio, in Los Angles on Oct. 19, 2020. (Kayla Reefer/The New York Times)