EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialPaul Sorvino, center, as Tony in a rehearsal of the New York City Opera production of the musical "The Most Happy Fella" in New York, March 3, 2006. (Sara Krulwich/The New York Times)