EditorialThe frescoes, commissioned in 1694, in the grand salons of the Castello di Ugento, which now houses a hotel, museum and cooking school, in Ugento, Italy, July 6, 2022. (Susan Wright/The New York Times)
EditorialItaly: Central detail from 'The School of Athens', featuring Greek philosophers Plato (red robe) and Aristotle (blue robe). Raphael (1483 - 1520), painted between 1509–1511 (Apostolic Palace, Vatican City)
EditorialNew technologies will play a role in explaining to visitors the newly restored villas like the House of the Library. (Roberto Salomone/The New York Times)
EditorialNew technologies will play a role in explaining to visitors the newly restored villas like the House of the Library. (Roberto Salomone/The New York Times)
EditorialDecaying, partially restored frescoes near the altar inside the Church of Santa Mar?a del Castillo, built around 1250, in the village of Castronu?o, Spain, Dec. 1, 2021. (Ben Roberts/The New York Times)
EditorialExhibition ' Giacomo Boni, the down of modernity' the widespread exhibition between the Platine and the Roman Forum, Rome, Italy - 14 Dec 2021
EditorialExhibition ' Giacomo Boni, the down of modernity' the widespread exhibition between the Platine and the Roman Forum, Rome, Italy - 14 Dec 2021
EditorialOne of the Palazzo Ardinghelli’s frescoes that was damaged in a 2009 earthquake, at MAXXI L’Aquila in L'Aquila, Italy on June 6, 2021. (Nadia Shira Cohen/The New York Times)
EditorialThe rotunda of the Bourse de Commerce, designed by Tadeo Ando, with the 19th-century work “Triumphal France” above, and Urs Fischer's wax replica of the 16th-century Giambologna statue “The Abduction of the Sabine Women” below, in Paris, May 13, 2021. (Julien Mignot/The New York Times)