Editorial“Sleeping Figure,” by the artist Matt Johnson, made of decommissioned shipping containers, at the Desert X biennial in Palm Springs, Calif., March 2, 2023. (Coley Brown/The New York Times)
Editorial“Sleeping Figure,” by the artist Matt Johnson, made of decommissioned shipping containers, at the Desert X biennial in Palm Springs, Calif., March 2, 2023. (Coley Brown/The New York Times)
EditorialFrom left foreground, a mask created by the Nigerian sculptor Moshood Olusomo Bamigboye depicting a war general; another mask attributed to Bamigboye, depicting a ruler, and a third mask, by Bamigboye, depicting a war general, on display at the Yale University Art Gallery in New Haven, Conn., Oct. 13, 2022. (Christopher Capozziello/The New York Times)
EditorialVisitors looking at an installation by Mette Sterre, on display at the Grand Hotel in Pristina, Kosovo, as part of the 14th edition of Manifesta, Oct. 21, 2022. (Armend Nimani/The New York Times)
EditorialVeronica Ryan at Paula Cooper Gallery in Chelsea, where her current exhibition is titled “Along a Spectrum,” in New York, April 1, 2022. (Elias Williams/The New York Times)
EditorialRebecca Belmore’s sculpture, “ishkode (fire),” 2021, in the Whitney Biennial at the Whitney Museum of American Art in New York, March 29, 2022. (Charlie Rubin/The New York Times)
EditorialNa Mira, an artist whose work will be in the Whitney Museum of American Art’s 2022 Biennial, in the garden of her studio in Los Angeles, on Feb. 9, 2022. (Clifford Prince King/The New York Times)