EditorialCharles Smith's sculptures bound for New York, at his trailer-house studio in Hammond, La., on June 10, 2022. (Annie Flanagan/The New York Times)
EditorialA visitor studies Titian’s portrait, “Benedetto Varchi,” left, and Bronzino’s “Allegorical portrait of Dante,” at the Metropolitan Museum of Art’s “The Medici: Portraits and Politics, 1512-1570,” exhibit in New York, June 21, 2021. (Diana Markosian/The New York Times)