EditorialThe walk from Devil’s Bridge to the seaside town of Borth crosses the Vale of Rheidol tourist steam railway, opened in 1902, in Ceredigion, Wales, in May 2023. (Francesca Jones/The New York Times)
EditorialThe walk from Devil’s Bridge to the seaside town of Borth crosses the Vale of Rheidol tourist steam railway, opened in 1902, in Ceredigion, Wales, in May 2023. (Francesca Jones/The New York Times)
EditorialThe walk from Devil’s Bridge to the seaside town of Borth crosses the Vale of Rheidol tourist steam railway, opened in 1902, in Ceredigion, Wales, in May 2023. (Francesca Jones/The New York Times)
EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialOld vehicles gather for the Regent Street Motor show ahead of the RM Sotheby's London to Brighton Veteran Car Run., Regent Street, London, UK - 06 Nov 2021
EditorialOld vehicles gather for the Regent Street Motor show ahead of the RM Sotheby's London to Brighton Veteran Car Run., Regent Street, London, UK - 06 Nov 2021
EditorialSome of the painted sets rescued from a dusty attic ? some 250 painted compositions dating from 1879 to 1902 ? sit on stage at the Tabor Opera House, in Leadville, Colo., July 12, 2021. (Benjamin Rasmussen/The New York Times)