EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialJapan: Empress Jingu (c.169 - 269 CE), supposedly setting foot in Korea. Jingu was consort to Emperor Chuai, and she also served as Regent (209-269), scroll painting by Utagawa Kuniyoshi (1798 - 1861), 1880
EditorialJapan: 'Actor Onoe Kikujiro II as Fusahachi's Wife Onui'. From the series 'The Book of the Eight Dog Heroes' by Utagawa Kunisada II (1823-1880), 1852
EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialAn installation by Chip Thomas’ second exhibition, “Unsilenced,” at the Fort Garland Museum and Cultural Center in Fort Garland, Colo., Sept. 30, 2021. (Kalen Goodluck/The New York Times)
EditorialA visitor looks on at, from left, John Singer Sargent’s “Fumée d’Ambre Gris (Smoke of Ambergris),” from 1880, and his “A Venetian Interior” (around 1880-82), at the Clark Art Institute in Williamstown, Mass., on July 19, 2020. (Tony Cenicola/The New York Times)