EditorialPalestine: 'The Citadel of Jerusalem, without the Walls, Tower of David'. Colour lithograph by David Roberts (24 October 1796 - 25 November 1864), c. 1839
Editorial“Avec plaisir. Or, The Newport News according to Lord Baltimore upon his return to New Frengland, joining Phillip Morris’s Hussars and rooting out the last of the Dutch Resistance, 1796, An advertisement for the plantocracy” (2022), by Umar Rashid, at the Isaac Bell House in Newport, R.I., on July 1, 2022. (Tony Luong/The New York Times)
EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialJapan: Empress Jingu (c.169 - 269 CE), supposedly setting foot in Korea. Jingu was consort to Emperor Chuai, and she also served as Regent (209-269), scroll painting by Utagawa Kuniyoshi (1798 - 1861), 1880
EditorialJapan: 'Actor Onoe Kikujiro II as Fusahachi's Wife Onui'. From the series 'The Book of the Eight Dog Heroes' by Utagawa Kunisada II (1823-1880), 1852
EditorialAn exhibition view of “Staging Injustice: Italian Art 1880-1917,” from left: a sculpture by Achille D’Orsi, 1876; a Giacomo Balla painting, 1902; a painting by Giuseppe Pellizza, 1907, at the Center for Italian Modern Art in New York, March 14, 2022. (Victor Llorente/The New York Times)
EditorialAn installation by Chip Thomas’ second exhibition, “Unsilenced,” at the Fort Garland Museum and Cultural Center in Fort Garland, Colo., Sept. 30, 2021. (Kalen Goodluck/The New York Times)