EditorialBarry X Ball, “Pietà,” 2011-18, after Michelangelo’s Rondanini Pietà (1552-64), on display in the home of Laura Mattioli Rossi, the founder of the Center for Italian Modern Art, in SoHo, Manhattan, March 14, 2022. (Victor Llorente/The New York Times)
EditorialBarry X Ball, “Pietà,” 2011-18, after Michelangelo’s Rondanini Pietà (1552-64), on display in the home of Laura Mattioli Rossi, the founder of the Center for Italian Modern Art, in SoHo, Manhattan, March 14, 2022. (Victor Llorente/The New York Times)
EditorialAn elevated subway train rumbles past a housing development for low-income seniors at 1490 Southern Boulevard in the South Bronx on Jan. 27, 2022. (Victor Llorente/The New York Times)
EditorialPair of gauntlets of Maximilian I, attributed to Lorenz Helmschmid, circa 1490, on display in “The Last Knight” exhibit at the Metropolitan Museum of Art in New York, Oct. 18, 2019. (George Etheredge/The New York Times)