Editorial** WARNING: Contains Nudity ** Marilyn Monroe?s Pucci dress sells for $325k at auction that nets total $4million as Monroe and Hugh Hefner memorabilia goes under hammer
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century, along the Brickline Greenway in St. Louis, May 24, 2023. (Michael B. Thomas/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialA gallery representing the Figurative Line/Abstract Line duality in the exhibition “Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art in New York, April 30, 2023. (Landon Nordeman/The New York Times)
EditorialThe Colombian artist Fanny Sanín in front of her painting “Oil No. 4” (1968), one of dozens of Abstract Expressionist works on display at the “Action, Gesture, Paint” exhibition at London’s Whitechapel Gallery. (Ellie Smith/The New York Times)
EditorialRobert Whitman at a rehearsal of his 1960 Happening, “American Moon,” at Pace Gallery in New York, Jan. 16, 2023. (George Etheredge/The New York Times)
EditorialThe grand hall of the newly renovated Chippendale building, which includes artwork by Dorothea Rockburne, an abstract painter, in New York, Nov. 7, 2022. (Katherine Marks/The New York Times)
EditorialKiki Smith stands in front of her mosaic “River Light,” in the new Grand Central Madison station in New York, Nov. 10, 2022. (Vincent Tullo/The New York Times)
EditorialOne of the six resin honeycomb “lobes” that will form a giant abstract beehive at a new exhibit at the American Museum of Natural History in New York, Sept. 30, 2022. (Tony Cenicola/The New York Times)
EditorialTyre marks in Fair Meadow car park, Peterborough, Cambridgeshire, UK, on July 30, 2022, Peterborough, Peterborough, Cambridgeshire, England - 30 Jul 2022