EditorialA tennis court without lines is like a painting without a frame. Marks made by the ball and the pursuit of it are the brush strokes, telling a story of angles, speed and power, mistakes and, sometimes, perfection. (Pete Kiehart/The New York Times)
EditorialA tennis court without lines is like a painting without a frame. Marks made by the ball and the pursuit of it are the brush strokes, telling a story of angles, speed and power, mistakes and, sometimes, perfection. (Pete Kiehart/The New York Times)