EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialA slightly misaligned sweep on the center mark after a member of the grounds crew carefully wipes the court’s straight lines clean. The painting of a new set is about to begin. (Pete Kiehart/The New York Times)
EditorialTarina Tarantino and Alfonso Campos in front of the Bansky mural on their building in downtown Los Angeles, Aug. 29, 2022. (Beth Coller/The New York Times)