After, 1730-1731. In this companion piece to Before [the Seduction], a man stands and hurriedly pulls up his breeches after successfully seducing a young woman. Cap and clothing askew, the dishevelled woman implores his discretion. The overturned table and broken mirror symbolize the womans shattered life now that she has lost her virginity. The dog sleeping in the foreground refers to post-coital exhaustion.