View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo, about 1743. In this architectural record of Venice and the Grand Canal, Bellotto presented a cross-section of Venetian society going about business on a sunny morning. Light from the east falls upon the Palazzo Pisani-Gritti with its arched windows and painted fa?ade. A Venetian devotional box that would have housed a religious icon hangs below the arched windows of the building at the left. Such boxes were usually placed on a building right next to the canal so that passers-by could pause for a moment of prayer upon leaving or arriving. Its image reflected in the canal, the Baroque church of Santa Maria della Salute dominates the right bank. Next to it, behind a shadowy row of houses, stands the Gothic fa?ade of the Abbey of San Gregorio. At the centre with its copper globe is the Dogana or customs building. Gondolas and ferries, modes of transportation still in use today, traverse the water between the two banks. The mouth of the canal, where seafaring vessels leave or enter the city, is visible in the distance.